Michael Hofmann writes:
Before I embarked on Eley Williams, of whom I had read nothing and knew nothing, I flipped through Attrib., her first book of stories. Even on first flip, I got a sense of something I sometimes find in things I like and that seem good to me, something that subliminally distinguishes writing that is careful and alive: a kind of alphabetical justice, to give this sheepish and probably disreputable thing a name in public. The letters in her words seemed to be drawn from adjacent parts of the alphabet. They had thought about themselves and one another. There was something collusive about them. They backed up one another’s story. They had demanded to be consulted, and come to their own unconventional arrangements. It all makes for alphabetophile writing. In the reader, it produces a kind of constructive estrangement from words. Think William Gass, Lydia Davis or Anne Carson, and you won’t be too wrong.