Evan Kindley writes:
In 1888 the Folies-Bergère presented a play called Presse-Ballet, featuring a cast of dancing newspapers and magazines. ‘Le Figaro, Gil Blas, L’Evénement and Le Gaulois danced a quadrille before the public,’ Diana Schiau-Botea writes,
followed by a ‘pas mime’ (dance mime) performed by La Gazette des tribunaux, La Vie parisienne, Le Fashionable and Le Temps. In the next scene, Mlle Bardout made her appearance on stage cracking a whip and leading the cortège of journals. She represented, obviously, the impertinent Courrier français, a trendsetter figure of the press and a regular target of censorship.
For the discerning Parisian audience of the Third Republic, apparently, such publications were prominent and familiar enough to be used as subjects for an evening’s light entertainment.