Dear Life

Christian Lorentzen writes:

There’s something confusing about the consensus around Alice Munro. It has to do with the way her critics begin by asserting her goodness, her greatness, her majorness or her bestness, and then quickly adopt a defensive tone, instructing us in ways of seeing as virtues the many things about her writing that might be considered shortcomings. So she writes only short stories, but the stories are richer than most novels. Over a career now in its sixth decade, she’s rehearsed the same themes again and again, but that’s because she’s a master of variation. She has preternatural powers of sympathy and empathy, but she’s never sentimental. She writes about and redeems ordinary life, ordinary people – ‘people people people’, as Jonathan Franzen puts it.

(LRB 6 June 2013)

Other Titles of Interest

Runaway

Alice Munro

Mary Hawthorne writes: Munro’s sphere of inquiry is both narrow and deep: she ...

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