Jonathan Coe writes:
In 1956, James Sutherland, a professor of 18th-century literature, delivered the Clark Lectures at Trinity College, Cambridge on the subject of ‘English satire’. ‘In recent years,’ he announced, ‘there have been signs of an increased interest in satirical writing,’ but even he couldn’t have seen what was about to start unfolding in a year or two, on his very doorstep. Beyond the Fringe is routinely credited with starting the ‘satire boom’, but that accolade should really go to The Last Laugh, the 1959 Cambridge Footlights revue, directed and largely devised by John Bird. CND was just beginning to gather momentum and the show opened with a huge nuclear explosion, following which, in the words of the producer William Donaldson, the audience was treated to a whole evening’s worth of ‘terrible gloomy stuff – the punchline of every sketch was people dying.’ Nonetheless, it was undoubtedly a strong influence on Peter Cook (one of the original cast members) and the other three-quarters of the Beyond the Fringe team (Alan Bennett, Jonathan Miller and Dudley Moore), who would go on to present their own take on the nuclear threat, in a sketch called ‘Civil War’.