Lavinia Greenlaw writes:
The long poem pre-empts its own significance. We expect more of it and less of ourselves, adjusting our pace and investing in the big picture. Hannah Sullivan’s majestic debut offers three big pictures – birth, coming of age and death – but this isn’t a triptych. Instead, these themes extend across the book, with the poems acting as a set of transparencies that enlarge and complicate one another.
Sullivan’s handling of time is also a matter of layers. Possibility, immediacy and loss are simultaneous from the start in the title of the first poem, ‘You, Very Young in New York’, and its opening lines:
Rosy used to say that New York was a fairground.\ ‘You will know when it’s time, when the fair is over.’\ But nothing seems to happen. You stand around
On the same street corners …