Namara Smith writes:
The most arresting scene in Beverly, the first book by the American cartoonist Nick Drnaso, arrives midway through a story – one of six – called ‘The Lil’ King’. A boy sits outside a locked motel room as rhythmic groans emanate from the other side of the door: his parents have stolen a moment alone, thinking the kids are at the pool. It is the last family road trip before his older sister goes away to university, and the boy, Tyler, is at the stage of puberty that makes family road trips a trial. All day, he has been dreaming of literally opening people up, focusing intently on the space between women’s thighs, trying to see through their clothes, imagining himself carving a long slit in a man’s chest to expose his entrails.